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phrygian dominant scale
In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant.〔Dave Hunter (2005). ''Play Acoustic'', San Francisco: Backbeat, p. 226. ISBN 978-0-87930-853-7.〕 Also called the altered Phrygian scale, harmonic minor perfect fifth below, dominant flat 2 flat 6 (in jazz), the Freygish scale (also spelled Fraigish〔Dick Weissman, Dan Fox (2009). ''A Guide to Non-Jazz Improvisation'', guitar edition, Pacific, MO: Mel Bay, p. 130. ISBN 978-0-7866-0751-8.〕), or simply the fifth mode of the harmonic minor scale. It resembles the scale of the Phrygian mode but has a major third. In the Berklee College of Music theory system, it is known as the Mixolydian b9 b13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V7/III and V7/VI.
==Traditional use==
This scale occurs in Indian, Middle Eastern, Eastern European and Flamenco music. It is common in Arabic and Egyptian music, in which it is known as ''Hijaz-Nahawand'' or ''Bayati maqam'', and used in Hebrew prayers and Klezmer music, where it is known as ''Ahava Rabbah'', ''Freygish'' or just the "Jewish scale", and is called ''Dastgāh-e Homāyoun'' in Iran. It is the scale used in the North Indian classical raga ''Vasant Mukhari'' and the South Indian raga ''Vakulabharanam''.〔http://swaratala.blogspot.com/2007/05/raga-basant-mukhari-carnatic-raga.html〕
It is sometimes called the "Spanish Phrygian scale", "Spanish gypsy scale" (see: gypsy scale) or "Phrygian major scale" (see: phrygian mode and major scale) and is common in Flamenco music. The flattened second and the augmented step between the second and third degrees of the scale create its distinctive sound. Examples include some versions of "Hava Nagila"〔 and "Misirlou", while other versions of those melodies use the closely related "double harmonic scale".〔 The main chords derived from this scale are I, iv, and vii.〔
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